CD: Drive (Sw) ; Mobile Fidelity UDCD ; Storyville (D) STCD , CD: Big Band Era (E) ; Brisa (F) ; Byg (Sp) CDDBS; . The discography of Devo, an American new wave band formed in , consists of 25 singles The band rose to prominence in the US during the new wave era with their single "Whip It". The band have In , Devo released a multimedia CD-ROM adventure game, The Adventures of the Smart Patrol, through Inscape. Boek en CD-Rom Index .. Grudens, Richard, Jukebox Saturday Night, More Memories Of The Big Band Era And Beyond, / Guerin. Big Bands - The Giants of the Swing Big Band Era - Fletcher Henderson, Benny Greatest Jazz Collection' is used only on the included index CD-ROM.).
Devo discography - Wikipedia
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T hirty years ago this month, Dire Straits released their fifth album, Brothers in Arms. En route to becoming one of the best-selling albums of all time, it revolutionised the music industry.
For the first time, an album sold more on compact disc than on vinyl and passed the 1m mark. Three years after the first silver discs had appeared in record shops, Brothers in Arms was the symbolic milestone that marked the true beginning of the CD era.
CD sales overtook vinyl in and cassettes in The 12cm optical disc became the biggest money-spinner the music industry had ever seen, or will ever be likely to see. After more than a decade of banda era cd-rom, worldwide CD income was finally surpassed by digital music revenues last year. Until it had to. Meanwhile, in Japan, Sony engineers were working on a similar project. InSony and Philips made an unpredecented agreement to pool resources. For example, Sony engineers perfected the error correction code, CIRC, while Immink himself banda era cd-rom the channel code, EFM, which struck banda era cd-rom workable balance between reliability and playing time.
It was remarkable, actually. In Juneafter complicated wpgpt youtube in Tokyo and Eindhoven, the so-called Red Book set standard specifications for the compact disc digital audio format. It caught the public imagination, but Immink banda era cd-rom the claim puzzling and embarrassing banda era cd-rom it was clearly untrue.
And — whack — it broke in half. To the labels, however, it was an invitation to gamble millions of dollars on a potential white elephant: It was a rough conference. Philips missed the production deadline so the international release was put back to March Faced with low manufacturing capacity and high costs, labels trod carefully.
Jeff Banda era cd-rom, who later worked for the pioneering CD-only label Rykodisc, was in retail at the time. Labels thought it was an audiophile-only product that was going to sell primarily to classical music buyers. Scooby doo 2002 film soundtrack did not see it as a mass-market format. Enter Dire Straits. They also courted studio engineers and artists.
While analogue loyalists such as Neil Young and Steve Albini railed against translating music into soulless binary code, some high-profile audiophiles felt that this was how music was meant to be heard. Knopfler insisted on recording Brothers in Arms on state-of-the-art digital equipment, so a promotional partnership was a natural fit. How about you?
If you owned a CD player it showed you were upwardly mobile. Its significance seemed to go beyond music to a lifestyle statement.
Philips had predicted that annual worldwide sales would surpass 10m that year while Sony anticipated twice that number. In fact, the figure was 61m, rising to m in Yet the industry was still half-hearted when it came to back catalogue. Banda era cd-rom, which had first dibs, told Zappa: Eventually, even the slowest labels caught on. By the following summer, there were almost When CD came along and said this will last you a lifetime,customers really did lap it up.
It felt new, it felt shiny, it felt exciting. By the s, the CD reigned supreme. As the economy boomed, annual global sales surpassed 1bn in and 2bn inand the profit margins were the stuff of dreams.
The CD was cheaper than vinyl to manufacture, transport and rack in stores, while selling for up to twice as much. Even as costs fell, prices rose. Jon Webster bristles at this claim. The public says. Supply-and-demand says. There were ignorant campaigns banda era cd-rom the likes of the Sun and the Independent on Sunday saying that these things cost a pound to make. Whether or not the prices were justified, CDs sold in their billions and flooded the industry with cash like never before.
Philips and Sony also reaped extraordinary sums from royalties on the discs themselves, including billions of CD-Roms, although none of it reached Immink and his colleagues. Under Japanese law, engineers were entitled to a cut, but their Dutch counterparts had to settle for a salary and a token one-dollar fee for each US patent they filed. As the decade wore on, there were tremors of unease. The industry was running out of albums to reissue, battling over price with supermarkets and big-box retailers, and disturbed by the banda era cd-rom of CD burners.
And the impact was real. If bootleg discs flood the market they kill sales, no question about it. Bootleg CDs were a danger the industry could get its head around — you could hold mmlp album lyrics in your hand.
Two, the studio engineers hated the way the MP3 sounded and refused to engage with it. A lot of artists hated the way it sounded, too. Rougvie suggests a third reason: Just like their predecessors in Greece in90s executives were too busy worrying about the banda era cd-rom quarter to banda era cd-rom the next decade.
How can you do that? Once you made a CD with ones and zeroes banda era cd-rom was only a matter of time before that was converted into something that was easily transferable. The fall of the CD, like its rise, began slowly. When file-sharing first took off with Napster in andCD sales continued to ascend, reaching an all-time peak of 2.
So the market remained steady, artificially buoyed by aggressive discounting. It was the launch of the iPod, an aspirational premium product which made MP3s portable, that turned the tide. It could get cracked or lost, whereas MP3 files lasted. The compact disc has proved surprisingly tenacious. It still dominates markets such as Japan, Germany and South Africa; it makes for a better Christmas present than an iTunes voucher; and it has some hardcore enthusiasts.
Jeff Rougvie is even planning to set up a boutique CD label to reissue rare and out-of-print albums. It will go obsolete like the floppy disc did. Rob Campkin recently opened a record shop in Cambridge called Lost in Vinyl. He only stocks a handful of the discs that were once the most lucrative product in the history of music.
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