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The Godfather is a American crime film directed by Francis Ford Coppola and produced by Albert S. Ruddy, based on Mario Puzo's best-selling novel of. Wensley Clarkson (Author) Mobsters, The Godfather. Visit Top 10 Movie Portrayals of Real Life Gangsters American Gangster Quotes, Mobsters Movie, Frank. Mar 4, Famous movie quotes about life and love make us think about the similar experiences that we may have had in real life. The Godfather II. The Top Movies as Rated by Women on IMDb in Marlon Brando in The Godfather () Al Pacino in The Godfather () Robert De Niro at an.

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The story by Mario Puzo and Francis Ford Coppola is a brilliant conjuring act, inviting us to consider the Mafia entirely on its own terms. Don Vito Corleone Marlon Brando emerges as a sympathetic and even admirable character; during the entire film, this lifelong professional criminal does nothing of which we can really disapprove. During the movie we see not a single actual civilian victim of organized crime. No women trapped into prostitution. No lives wrecked by gambling. No victims of theft, fraud or protection rackets.

The only police officer with a significant speaking role is corrupt. The story views the Mafia from the inside. That is its secret, its charm, its spell; in a way, it has shaped the public perception of the Mafia ever since. The real world is replaced by an authoritarian patriarchy where power and justice flow from the Godfather, and the only villains buzzle godfather movie traitors.

There is one commandment, spoken by Michael Al Pacino: It is significant that the first shot is inside a dark, shuttered room. Don Vito asks why he did not come to him immediately. What have I ever done to make you treat me so disrespectfully? And if, by chance, an honest man like yourself should make enemies. And then they would fear you. By the end of the wedding sequence, most of the main characters will have been introduced, and we will know essential things about their personalities. It is a virtuoso stretch of filmmaking: The writing is subtly constructed to set up events later in the film.

Notice how the request by Johnny Fontane, the failing singer, pays off in the Hollywood scenes; how his tears set up the shocking moment when a mogul wakes buzzle godfather movie in bed with what is left of his racehorse. Now here is a trivia question: She exists in the movie buzzle godfather movie an insignificant shadow, a plump Sicilian grandmother who poses with her husband in wedding pictures but plays no role in the events that take place in his study.

Buzzle godfather movie irony of the title is that it eventually comes to refer to the son, not the father. After he shoots the corrupt cop, Michael hides in Sicily, where he falls in love with and marries Appolonia Simonetta Stefanelli.

They do not speak the same language; small handicap for a Mafia wife. He undoubtedly loves Appolonia, as he loved Kay, but what is he thinking here: Did he tell her buzzle godfather movie Appolonia?

Such details are unimportant to the story. What is important is loyalty to the family. The baptism provides him with an airtight alibi, and he becomes a godfather in both senses at the same time. Vito Corleone is the moral center of the film. He is old, wise and buzzle godfather movie to dealing in drugs. My argument is taking this form because I want to point out how cleverly Coppola structures his film buzzle godfather movie create sympathy for his heroes. The Mafia is not a benevolent and protective organization, and the Corleone family is only marginally better than the others.

Yet when the old man falls dead among his tomato plants, we feel that a giant has passed. You cannot appreciate this on television because the picture is artificially brightened. Coppola populates his dark interior spaces with remarkable faces. The front-line actors--Brando, Pacino, Caan, Duvall--are attractive in one way or another, but those who play their associates are chosen for their fleshy, thickly lined faces--for huge jaws and deeply set eyes.

Look at Abe Vigoda as Tessio, the fearsome enforcer. The sun shines that day, but never again: He is developed as a hulking presence who implies the possibility of violent revenge. Only at the end is he buzzle godfather movie lit again, to make him look vulnerable as he begs for his life. The Brando performance is justly famous and often imitated. We know all about his puffy cheeks, and his use of props like the kitten in the opening scene.

Brando uses them but does not depend on them: We are thinking that the Don is growing old and repeating himself, but we are also thinking that he is probably absolutely right. Pacino plays Michael close to his vest; he has learned from his father never to talk in front of outsiders, never to trust anyone unnecessarily, to take advice but keep his own counsel. All of the other roles are so successfully filled that a strange thing happened as I watched this restored version: Coppola went to Inpa e60.eng to find Nino Rotacomposer of many Fellini films, to score the picture.

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