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Благодарю вас, Робин, благодарю вас, брат Тук, - Макс помог дамам подняться в багги, - за ваше внимание к моим подругам. Брат Тук приблизился к багги, явно намереваясь задать очередной вопрос, но Макс нажал на педали. - Сегодня ночь костюмов и тайн, - произнес он, отмахиваясь от мужчины.
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Search the history of over billion web pages on the Internet. Games Apple Computer. Full text of " Billboard " See other formats Billboard Celebrates Billboard special issue in recognition of. International Best-Selling Albums i i ie muci -anticipated release of enrique's eigi it! Chart-Topping Singles. Prestigious Awards and Honors. Billboard la i in Album of the Year. Latin Grammy American Music World Music Premios Lo Nuestro And 1 bank.
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Banking and trust products and services are provided by SunTrust Bank. Securities, insurance and other investment products and services are offered by SunTrust Investment Services, Inc. Web start- ups debate whether to follow the majors' rules, or go their own way. Garage Rock. See billboardevents. The event focuses on radio, touring, digital and publishing trends in the regional Mexican industry.
More at billboardevents. Contestants will critique concerts in their area and upload mobile photos and reviews to a customized Billboard blog. See billboard. We'll take you up close and personal with the biggest and most buzzed-about shows of the sun-soaked season, only on the Jaded Insider blog at jadedinsider. JUNE 9, I www. But it could get a lot worse — caus- ing serious harm to the whole music in- dustry, not just the record biz.
From tomusic retail closings averaged per year. Many of these were stores that the industry at large could afford to lose, both from chains that had overbuilt in the '90s malls didn't need two CD stores and from underperforming indie outlets. But in Los cuates de sinaloa un beso al viento itunes far this year the pace is slower — closures to date, with some bright spots Dimples, Rasputin and other indies opening stores in old Tower locations.
This leaves about 4, pure-play music retailers in business. It is vi- tally important to act on issues that affect these stores now, because they are oper- ating without much cushion, and if they go away or get out of music, they aren't coming back.
In addition to the retailers, record la- bels still make most of their income from CD sales, and realistically their code breaker episode 11 subtitle indonesia deadpool won't be able to be turned around fully for at least a few more years.
The old paradigm — in flux, but not yet fully changed — had record labels spend- ing the upfront money to break los cuates de sinaloa un beso al viento itunes artist. At a typical major, the ballpark math went like this: Those big worldwide profit cen- ters erased all the misses. The artist may have Music retailers are act ing without much cushion, and if they go away or gel out of music, t hey aren't coming hack.
The second album never had a song catch on and sold only 50, at which generation x tales for an accelerated culture music the band was dropped. The artist then moved on to in- dies, or maybe another major took a chance. And so it goes. A stupid, inefficient system, to be sure, but that's the way it is, or was. I know, the argument is that indie rock acts like Arcade Fire don't need the im- aging and marketing to get big.
But that argument doesn't fly for, say, upcoming superstars in pop. Here's what retail needs to get healthy, which in turn will keep the labels healthy, spending money marketing artists to the benefit of the whole industry: And don't forget the easy stuff. It's the sound quality. Mailing play copies to the right stores isn't going to break even the tightest budget. It's understandably easy for us cutting- edge types to get excited about the new digital frontier. But it's not an all-or-noth- ing game.
Stick music fans in an Amoeba or Virgin Megastore, or some other deep- catalog CD store, and they will discover just as much new music as an all-nighter on MySpace. Include name, title, address and phone number for verification.
Letters should be concise and may be edited. All submissions published shall become the sole property of Billboard, which shall own the copyright tn whole or part, for publication. Ray Waddtl i. Ed Christman '-'. Chris M. Marlel Conception i- Katie Hasty Bdlboard.
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Greg Farrar. Linda McCirtcheon: Michael E, Porker. Mary Kay Sustek. Howard Appelbaum: Google and YouTube have struck a deal giving YouTube users access to audio and video repertoire from the major. Sources close to the situation tell Billboard that EMI, the sole holdout among the majors licensing their los cuates de sinaloa un beso al viento itunes to the video site, was waiting for YouTube to demonstrate a working version of its long-awaited content identification and filtering technology before any deal would be made, and that YouTube has finally satisfied that requirement.
Following the transaction, Last. The first signings have yet to be announced. A busi- ness development executive at a major label sits down with the CEO of a fledgling digital en- tertainment startup to discuss licensing opportunities for a new music-related technology, only to find out the service is al- ready in operation with content from the label's leading artists.
Or no meeting takes place at all, and the label learns second- hand that its content is being featured in a service it never knew existed. Michael Robertson's Any- whereCD. In los cuates de sinaloa un beso al viento itunes case, it liberally inter- preted a pact it had secured with WMG for a retail-meets-digi- tal-locker service to also mean it could sell digital albums in los cuates de sinaloa un beso al viento itunes MP3 format via its Web site.
The two companies are now embroiled in a legal tussle over whether AnywhereCD is. Any- whereCD continues to claim M P3 albums are covered under the deal. I n fact, digital entrepreneurs, venture capitalists and tech ad- visory firms polled by Billboard say that startups now inevitably debate whether to seek content licenses from the recording in- dustry prior to launching a serv- ice with music elements, how much they can get away with — and for how long.
We think we're vi- olating copyright. We want to make a deal. Can you keep the majors from suing us? Not only do they get limited ac- cess to content, but they have to pay top dollar for it in the form of upfront advances, gen- erous splits and guaranteed minimum payments.
Of course, labels — wary of empowering the next MTV or iPod free of charge — don't see the situation in the same sinister fashion. They say they simply want fair com- pensation for content. Either way, analysts point to viral video startup Rewer as an example of a company that has experienced the inequities of playing fair.